By Amanda Deed & Jeanette O’Hagan
The remake of the Lion King is currently screening in the cinemas, while the casting for the new Little Mermaid is causing a small furore on the interweb. Hollywood is addicted to remakes and retellings of old classic tales (how many times can you redo Robin Hood?) – and the literary world isn’t that far behind with countless retellings of Pride and Prejudice or the other Austen books, or the many Shakespearean Plays.
What is a retelling and why do need another one?
In a retelling an old and usually popular story is ‘retold’ or adapted to a new audience – perhaps in a new media, or with changes in focus or settings.
Fractured retellings give a new twist to the old tale (for instance, Jack and the Beanstalk from the giant’s perspective). While they can be overdone or done badly, retellings breath fresh life into old stories for new generations of readers (and viewers). Sometimes they steer close to the original. In other cases the correspondences are much looser. The best retellings show us something new while breathing the soul of the original tale.
Fairytale retellings are a subset of retellings.
They adapt classic fairy tales and present them in a multitude of different ways. Examples abound. Just about every classic Disney movie is a fairy tale retelling.
In the general market we have Kate Forsyth’s books. Bitter Greens tells the Rapunzel story against the backdrop of seventeenth century France and sixteenth century Venice. Jane Yolen’s Briar Rose uses extermination camps of Nazi Germany as the gripping setting for her retelling of Sleeping Beauty. Marissa Meyer’s Lunar Chronicles intertwines retellings of Cinderella (Cinder), Little Red Riding Hood (Scarlet), Rapunzel (Cress) and Snow White (Winter) in a gripping four book epic sci-fi with a cyberpunk setting.
Then there are the Charming books by Kristine Grayson (aka Kathryn Kristen Rusch) are based on fairytale characters living in our world e.g. Rapunzel, Bluebeard, and Prince Charming (after his divorce from Cinderella). The books are clean romance and are more fairy tale extensions than retellings.
Amanda Deed’s Retellings
Australian Christian author, Amanda Deed has recently released some fairytale retellings set in colonial (nineteenth century) Australia. She is working on a third. This is what Amanda says:
I must make a confession. I love fairy tales. I love happy-ever-afters, and all the magic that goes with them. I love princes and princesses and true love. Nothing appeals to my romance-loving heart more. Something within me says “this is how it’s meant to be” even if the reality of our world looks a lot different. Eternal optimist? Maybe.
Anyway, my favourite fairy tales on the screen are Beauty and the Beast (Disney), Cinderella (the Ever After version), and now Rapunzel (the Tangled version).
Several years ago, I began to grow some ideas to write some of these fairy tales, twisting them a little to fit with my usual genre – historical romance in an Australian setting. And so, Unnoticed (Cinderella) and Unhinged (Beauty and the Beast) came into being.
For me, usually, an idea for a novel comes along with a theme.
For Unnoticed, it was essentially about self-esteem. A lovely girl who suffers rejection so much she believes she is worthless, and how that self-belief has to be turned around. So many teenage girls suffer these issues and need to know how precious they really are, so I wanted to put this culturally relevant theme into an age-old fairy tale.
For Unhinged, mental health weighed heavily, again an issue that is prevalent in our society but is also as old as time. What if the beast wasn’t an animal transformation, or a physical defect, but what if mental illness made him ‘beastly’? And how does one learn to really love a beast?
Both of these novels were close to home.
I have my own story of self-esteem struggles as a teen that I drew from, and there are several people in my life who live with mental illness that also helped give insight to these situations. All that was left was the challenge of making an interesting story that could shine light on these issues and bring hope to people. Hopefully I have done them justice!
Currently, I am working on a third fairy tale, a Rapunzel story tentatively called Unravelled.
This one will be about true freedom. Olivia is a teen convict in Van Diemen’s Land, both longing for and afraid of freedom at the same time. Can you be free even while locked in a prison? Sometimes circumstances can feel like prison walls, but there is a freedom that surpasses every situation.
Thanks, Amanda!
Christian Retellings
I’ve read Unnoticed and loved the intertwining of Cinderella themes in a unique Australian setting and I appreciated the strong themes of God’s love throughout the story. Unhinged is sitting at the top of my To-Be-Read pile.
A few Australian Christian authors have ventured into this fertile field. Melissa Gijsbers has been part of a story in the fractured fairy tell retellings Teapot Tales: A Collection of Unusual Fairy Tales. Charis Joy Jackson has written a wonderful fantasy and allegorical retelling of beauty and the beast in Rose of Admirias. I had fun with a flash fiction based on Blue Beard with a twist at the end.
Popular American Christian author Melanie Dickerson has written several historical fairy tale retellings set in mostly in Europe and with strong Christian themes, such as The Healer’s Apprentice (Sleeping Beauty), The Merchant’s Daughter (Beauty and the Beast), The Fairest Beauty (Snow White), etc.
Biblical stories can also be retold, which were covered here.
Writing Retellings
Often an exact replica can be lifeless.
- In a good retelling, the writer captures the essence of the story with creative insertion of recognisable and pertinent details (the glass slipper or the poisoned apple).
- The transformation/transmutation to a new setting and props feels a natural fit, rather than forced. (I once attended a performance of the Shakespeare’s Merry Wives of Windsor at Windsor, Brisbane and with costume, props and stages sets all from1960s Australia and it worked brilliantly.)
- The reteller needs to make creative choices about what to include, what to transmute and what to leave out. (For example, including the slipper for Cinderella but leaving out the stepsisters chopping off their toes to fit in the earliest versions.)
- Retellings of more recent classics may run into copyright issues and permissions (with satire as a possible exception). Fairy tales, Jane Austen novels and Shakespeare plays are popular choices for retellings not only because they are classic stories that resonate down the years, but also because they are in the public domain.
Wow, these books sound like very good books, I love the covers! Yes, I most definitely agree, our pre teens and teens need all the help they can get on these very hard growing up years, especially on self esteem. I think the hardest growing up years for children are when they are in the 6th,7th and 8th grade, too many things going on in that age group, body changes, kids pretending to be your friends but they are not, I think that age and those grades are the most challenging ones. My granddaughter is going into the 8th grade and her brother our grandson is going into the 6th grade, and you can bet I will be praying even more for them and all the kiddos in that school, because there are too many not too good things kiddos are getting into. All we can do is keep them in the right track and trust that they will confide in us . God Bless you for writing books for our young kiddos. Have a Great week.
Thanks for commenting, Alicia. Most of them are aimed at YA, though not all and some deal with difficult themes.
I was a bit leery of fairytale retellings until I read Kenley Davidson’s Andari Chronicles. She definitely makes them their own story, they’re clean and truly romantic (ie. not just sexual attraction) and her style draws me in and makes me identify closely with the hero/heroine. Her women are most definitely not pushovers, but they have their flaws. Start with ‘Traitor’s Masque’ (Beauty & the Beast). I can’t go on enough about Kenley’s work, so I’d better stop there.
Thanks for the recommendation, Susan. They do sound interesting.
I guess the thing to remember is that Disney stories are also fairytale retellings, even if they’ve become more famous than the original stories. So there’s plenty of scope for telling the story differently.
Yes, for sure – as we said in the post “[Fairy tale retellings] adapt classic fairy tales and present them in a multitude of different ways. Examples abound. Just about every classic Disney movie is a fairy tale retelling.” and Disney (and other modern versions of fairy tales) has made their own significant changes from the originals. I think part of the reason, people become upset is whena particular Disney movie (like The Little Mermaid, for instance] seems an integral part of their childhood, so any changes seems wrong to them.